who kidnaps who?
Tyler Baum
3'15'' / United States

A music video that kidnaps your ears and eyes away to an undisclosed location.
Un nòt kankan
Douglas Capron
6' / Canada

The music video is based on “Un Nòt Kankan”, a satirical Creole song from early 20th-century New Orleans, featured in the collection Mò Kouzin, Mò Kouzinn, released by singer-songwriter and producer Benoît LeBlanc.
Monolink: Avalanche ink
Zoe Stiletano, Vasco Alexandre
4'23'' / Denmark, Germany

Two strangers take over the city for a day.
Artist: Monolink
Album: The Beauty of It All
Label: Embassy of Music
WANDERERS
Muhammad Mustefa Bukhari
3'46'' / Hong Kong

An abstract animation which explores concepts of fluidity and rigidity through mono-chromatic, crystalline visuals, delving into the emotional turmoil a wanderer has to engage with when grappling with the ideas of standing against the current, or going against the flow.
Poperratic: Zero Hero
Jammes Luckett
4'8'' / United States

"Zero Hero" is a layered new indie music video animated by the solo artist behind alternative rock project Poperratic. The video offers a visually dynamic and layered exploration of the human condition through a metaphorical superhero origin story.
John Qualcosa - Cani come figli
Silvano Richini
3'44'' / Italy

Destination 11
Jens Brygmann
11' / Denmark

Destination 11 is an 11-minute hybrid of an art film and a music video by the electronic music duo Into the Blood. It explores the evolution of both the planet and humanity in 11 distinct stages, gradually transitioning from calm and serene to chaotic and destructive.
Ljudski - Kandidat
Rastko Šejić
5'23'' / Serbia

Amidst the student protests in Serbia, where mass outrage against corruption and systemic negligence has ignited a nationwide movement, the song Kandidat by the Belgrade music collective Ljudski finds its visual counterpart in a striking animated video that serves as both a bold artistic statement and a call to resistance.
The Spanish Coast
Rasmus Lindkvist
2'46'' / Sweden

The song revolves around a rider who unexpectedly finds himself falling in love with the queen. With an eccentric and humorous tone, the song describes the absurd situations that arise as the knight attempts to win the queen's affection.
WHERE I'M FROM
Pascal Tessaud
4'31'' / United States

Music video shot in the South Bronx, Harlem Riverside & Lower East side with the crew GET OPEN in New York.
glimmer
Natalya Ryss
4'10'' / Israel, United Kingdom

A dreamlike journey through cosmic landscapes, reflecting themes of exploration and transformation.
in threes
Natalia Ryss
6'50'' / Israel

The image-idea of the Tree as an embodiment of the Three Principles unites the manifestations of forms, following the rhythm of the heart.
The origin of the world
Gianni Zauli
5' / Italy

In a circular way, nothing is created, nothing is destroyed, everything is transformed, always returning to the starting point: the power of the Imagination that creates the world.
Let it Fall (My December)
Mark Nicholas Crane
4'14'' / United Kingdom

Whilst exploring the woods Victorian everyman Henry is plucked from the ground and consumed by a steampunk giantess. As he tumbles through layers of the machine, she tries to seduce him. Trapped in this descending, one-sided love story how will he escape.
PLANT MUSIC
Ekaterina Kayota
2'20'' / Russia

Plants are more than just passive observers. They are capable of participating in the creation of music. This music can tell us a lot about how plants respond to changes in the external world and to the processes occurring within themselves.
god's path
Destania Linaura, Irene Nathaly, Long Yuet KK Wong, Sze Wa Lyra Lam
3'48'' / Hong Kong

Gods’ Path is a digital cut-out animation film, an ecosystem where the gods’ paths converge. The film takes a Dadaist approach in deconstructing and reconstructing religious symbolism, reimagining the gods in humorous scenarios where they are also vulnerable to human temptation and desire.
the game
Sergey Astafurov
1'18'' / Russia

The game is a labyrinth of consciousness — a journey toward a goal, where fear takes over the closer you get to the result. There is only one way to overcome this fear. And once the result is achieved and the fear is conquered, just like in a labyrinth, you must keep moving forward. The game continues. As in a labyrinth, you reach the center and must return back—but now as someone changed, transformed, and cleansed of the fear of overcoming.
Made on
Tilda